|Cast:||Sachin Pilgaonkar, Ranjeeta, Madan Puri, Rajendra Nath, Iftekhar, Urmila Bhatt, Ritu Kamal, Harindranath Chattopadhyay, Tun Tun, Sulochana|
|Singers:||Hemlata, Ravindra Jain, Shailendra Singh|
|Music Director(s):||Ravindra Jain|
|Movie Director(s):||Hiren Nag|
|Movie Producer(s):||Hiren Nag, Tarachand Barjatya|
Here is a film that united a large group of unrecognized craftsmen, people who had their second under the sun however didn’t actually encounter the high early afternoon of ubiquity. Somely, they presumably never fully got their due, sandwiched as their professions were with the absolute most prominent names ever in Hindi film. However Hiren Nag, Ravindra Jain, Sachin and Ranjeeta, indeed, every single one of them, stimulated our faculties. For a short time they sold us an excellent falsehood, revealing to us that satisfaction was no transitory guest except for a dependable friend. For some time, life was a tune. Also, it was wonderful as well, especially the manner in which Hemlata delivered it — no one would have failed to remember the film’s title track. It’s anything but a long, long melody, yet so mitigating is Jain’s music and Hemlata’s version that it’s anything but a miniature second more than required. Add to that Sachin’s innocent appeal and Ranjeeta’s self-destroying attitude and you were unable to be blamed on the off chance that you figured they couldn’t put a foot wrong. Everything was ideal for them here. Also, for watchers, making “Ankhiyon ke Jharonkhon Se” a fine, calming film. Very little drama, for an enormous part there is scarcely a wave, yet Hiren Nag, the chief, takes you along.
Bother, as it turns out, coordinated just twelve or so films in 20-year-long profession, “Jeevan Mritya”, “Geeta Gaata Chal” and “Abodh” being the other eminent ones. However, Nag’s snapshot of brilliance was without a doubt “Ankhiyon Ke Jharokhon Se”, a run of the mill Rajshri film that energized the utilization of hankies! For some it’s anything but a tragedy, what with the courageous woman determined to have leukemia, which itself was something valiant to accomplish for the chief, considering Hindi producers have never been too open to taking care of hazardous infections. For most, it is about the vibe great factor. Bother faced the challenge and harvested the profits.
The film presumably denoted the high water mark for the lead pair of Sachin and Ranjeeta as well. The two of them had different hurrahs, outstandingly “Geeta Gaata Chal” and “Nadiya ke Paar” for Sachin and “Laila-Majnu” for Ranjeeta. However here as lovebirds they imbue their characters with such effortlessness, such validity, that one is brought into the tale of Arun and Lily who meet in school, have the standard battles and begin to look all starry eyed at in a matter of moments by any stretch of the imagination. Everything is reasonable and fine with the world till the feared sickness strikes, changing what might have been a basic young sentiment into a standing story of genuine affection, interesting to individuals across ages.
The film was important for Ravindra Jain’s tryst with predetermination as well. A maverick to Bollywood, Jain had spent many years with infrequent scraps of solace until “Geet Gaata Chal” rescued him once again from namelessness. Then, at that point came “Chitchor” and “Ankhiyon ke… ” reinforcing his situation as the one who gave music saturated with Indian tunes, utilizing Indian instruments, searching for motivation in Indian practices, of all shapes and sizes. As it turns out, he gives a full articulation to his considerations here by writing a tune dependent on the dohas of Kabir and Rahim. It is recorded as a sort of two part harmony antakshri in a school work on the lead pair — discreetly in the deal, revealing to us that the new age need not be eliminated structure the foundations of the land.
Frequently his partner in those melodies was Hemlata, a traditionally prepared vocalist, who sang in essentially every Indian language, and whose prominence, however fleeting, at one at once of Lata Mangeshkar. She was a talented artiste favored with a tranquil, dulcet unmistakable voice, which, tragically, our movie producers couldn’t utilize the most ideal way imaginable. Then, at that point we have any semblance of Iftekhar and Urmila Bhatt — the previous as a specialist, the last as a medical attendant who is additionally the champion’s mom. Rarely would the camera chooses the appearance of character entertainers in Hindi film. It does as such here, giving us a decent illustration of what the two gifted artistes could do.
As this load of little snapshots of magnificence join, we get a film that lives with us each spending day, as charming today as nearly 34 years prior when it made it to the big screen. Without a doubt, distance in time neglects to decrease feeling.
Ankhiyon Ke Jharokhon Se is a Hindi Movie released in the year 1978. It has a star cast of Sachin Pilgaonkar, Ranjeeta, Madan Puri, Rajendra Nath, Iftekhar, Urmila Bhatt, Ritu Kamal, Harindranath Chattopadhyay, Tun Tun, Sulochana. It’s Music Album was composed by Ravindra Jain. The movie was directed by Hiren Nag. The songs were sung by singers such as Hemlata, Ravindra Jain, Shailendra Singh. The lyrics of the songs from the Ankhiyon Ke Jharokhon Se were penned by artists such as Ravindra Jain. , To view the song lyrics and details visit the links below.
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