|Cast:||Dev Anand, Hema Malini, Premnath, Tanuja, Sujit Kumar, Nazima, Jr Mehmood, Sulochana, Raj Mehra, Mohan Choti, Birbal, Mumtaz Begum, Brij Gopal, Helen, Ram Mohan, Sunder, Tun Tun, Ranjeet, Sajjan, Dulari, Moolchand|
|Singers:||Kishore Kumar, Lata Mangeshkar, Manna Dey|
|Music Director(s):||Laxmikant Kudalkar, Pyarelal|
|Movie Director(s):||Mohan Kumar|
|Movie Producer(s):||Mohan Kumar|
|Mai Aaya Hu Leke Sajh Hatho Me
by Kishore Kumar
Chief Mohan Kumar’s Amir Garib brings to the front the age contrast between the male and female leads in Hindi movies. Here one will see a 50 or more Dev romancing Hema Malini practically a large portion of his age. What is astounding is the continuation of this marvel in the current age. In spite of changes openly taste and the kind of movies being made, one actually will see any semblance of Salman Khan and Shah Rukh Khan being projected inverse a lot more youthful champions.
Moreover, Amir Garib involves a huge point on Dev’s profession diagram. It was one of the last movies made external his Navketan standard wherein he acted and used the twirly doo. Additionally, after the remarkable accomplishment of Hare Rama Hare Krishna (1971), which he coordinated and acted in, his profession saw a consistent descending pattern. Amir Garib was presumably one of the last movies to have done great business in the cinema world.
Here, Anand’s acting style looks bored and obsolete, with the very idiosyncrasies that slung him to the highest levels of fame appearing to be somewhat dreary, particularly with his matching with a bubbly Hema. With her lovely screen presence, Hema makes an excellent showing, in spite of her restricted theatrical ability. The film absolutely profited with Johny Mera Naam delivered in 1970, in which Hema was projected interestingly inverse Dev and which did outstanding business. Prepared watchers felt that however not dispatched by Anand, Hema’s profession moved vertical impressively due to Johny Mera Naam.
Devoted fanatics of Dev have a ton to cheer in the film, where he holds the middle of everyone’s attention playing the personality of an advanced Robin Hood. The film begins with Mumbai police authorities pondering on the best way to break a spate of burglaries focusing on the wealthy in the city by a concealed criminal called Bagula Bhagat. Investigator Anand (Sujeet Kumar) is given charge of the case.
In the mean time, one will see artist Manmohan, false name Moni, working in an inn claimed by Seth Daulatram (Premnath in his brand name acting style, smooth and cleaned exchange conveyance) who is sought after by Sunita otherwise known as Soni, a pickpocket, who lives with her non-permanent mother (Sulochana). Truth be told, Sunita’s rich financial specialist father passed on when he was tricked by his deceptive director, Daulatram.
All things considered, Bhagat is Moni in camouflage, whose witnesses (counting Birbal and Tuntun) accumulate data about the wrongdoings of corrupt dealers and money managers. These then, at that point become the objective of Bhagat, who ransacks them just to appropriate the wealth among poor people. Moni’s heart beats for the ruined after a youth episode, in which his granddad was killed by a merciless landowner, who puts down him for his destitution, and taunts him about Moni’s mom having been tricked by a rich man.
After a progression of occurrences — some intriguing, others out and out exhausting and freakish (like Anand going about as a subliminal specialist) — Moni and Soni consent to show Daulatram something new. Yet, before that, Moni comes to realize that Soni’s non-permanent mother is really his mom and that overseer Sujeet Kumar is the life partner of his encourage sister. The film closes after a court show, in which the appointed authority attempts Bhagat for his wrongdoings. Does the appointed authority take a tolerant perspective on Moni’s supplication for the privileges of poor people? Or on the other hand would he say he is conveyed an unforgiving discipline?
Whatever the last conclusion, the crowd is bothered with a great deal of disarray because of the plenty of tracks and subtracks, making the story a wandering drivel of near over two hours. A few minutes and a few characters like that of Tanuja in an appearance as Ranjeet’s sister, (who himself has not a lot to do other than get over and over slapped) might have been cleaved to make the content (composed by K.A. Narayan) tight and the work of altering by Pratap Bhatt and Pratap Dave that a lot simpler.
The music by Laxmikant-Pyarelal, set to verses by Anand Bakshi, is acceptable, particularly the hummable Kishore Kumar-Lata Mangeshkar two part harmony, ‘Soni aur Moni ki hai jodi ajeeb’ and the Kishore Kumar solo ‘Primary aaya hoon’.
Be that as it may, Mohan Kumar, who added to film with movies, for example, Anpadh, Avtaar and Aap Aaye Bahaar Aayee might have surely offered a superior film.
Amir Garib is a Hindi Movie released in the year 1974. It has a star cast of Dev Anand, Hema Malini, Premnath, Tanuja, Sujit Kumar, Nazima, Jr Mehmood, Sulochana, Raj Mehra, Mohan Choti, Birbal, Mumtaz Begum, Brij Gopal, Helen, Ram Mohan, Sunder, Tun Tun, Ranjeet, Sajjan, Dulari, Moolchand. It’s Music Album was composed by Laxmikant Kudalkar, Pyarelal. The movie was directed by Mohan Kumar. The songs were sung by singers such as Kishore Kumar, Lata Mangeshkar, Manna Dey. The lyrics of the songs from the Amir Garib were penned by artists such as Anand Bakshi. , To view the song lyrics and details visit the links below.
Apart from providing the Lyrics for the Amir Garib, we have also taken an effort to make the movie Amir Garib works with all the necessary details you might be interested to know, ranging from Cast, Director, Composer, Lyricist and a lot more.
How to see the lyrics of Amir Garib songs from the year 1974.
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