|Cast:||Rajesh Khanna, Mumtaz, Om Parkesh, Kanhaiya Lal, Madan Puri, Jagdeep, Manmohan Krishan, Rajan Haksar, Satyen Kappu, Jaya Prada, Manmouji, Makkamala, C S Dube|
|Singers:||Asha Bhosle, Kishore Kumar, Lata Mangeshkar, R D Burman|
|Music Director(s):||R D Burman, Basu Chakraborty, Basu Manohari|
|Movie Producer(s):||A V Subramaniam, T M Kittu|
A rose, a candle, a couplet. Rajesh Khanna, Hindi film’s first genuine genius who died in Mumbai following a delayed sickness on Wednesday, utilized these props unreservedly and effectively to catch without precedent for Indian film a sentiment that was both grown-up and present day.
He was made less by the characters he played or the lines wrote by discourse journalists than his eccentric peculiarities — the drones, the stops, the unexpected shimmer in his eyes, the new and simple grin, and the energetic slant of the head. In any event, when blasted with malignancy, or ‘lymphosarcoma of the digestive tract — as Anand, a person he played in the film of a similar name, was — that slant and grin scarcely floundered.
To comprehend what Rajesh Khanna was or how he adjusted the persona of the film saint, stress what he was not. He was not a loveable vagrant like Raj Kapoor, nor a misfortune ruler like Dilip Kumar. He didn’t exchange on his manliness like Dharmendra and infrequently, if at any time, played the legend with shades of dark as Dev Anand got a kick out of the chance to do. He was the stuff of delicate sentiment, his characters regularly sincere and righteous, his exhibitions upgraded by a face that was a fortune and a way of acting that pre-owned eyes, lips, hands, and vocal harmonies to incredible impact.
Ladies, who were headed to interruption by his lighthearted and non-undermining charm, fainted over him in large numbers. As Sharmila Tagore, his co-star in numerous movies, noticed, the delirium around his fame arrived at hot pitches with ladies wedding his photos and pulling at his garments. During the Seventies, three ladies cut their wrists during the screening of Aap ki Kasam in old Delhi.
He got his break in film in Chetan Anand’s Aakhri Khat in 1966 because of winning an ability contest.
This was trailed by Ravindra Dave’s Raaz, inverse Babita, which he viewed as his first significant break. In any case, it’s anything several years after the fact, when he made striking to play very nearly a supportive role to Sharmila Tagore in Shakti Samanta’s Aradhana, that a star was conceived. Regardless of being a champion arranged film, the blend of S.D. Burman’s hypnotizing music and Kishore Kumar’s voice, brought Rajesh Khanna into his own. The melody “Simple sapno ki rani” turned into a young song of praise of the ’60s is as yet associated with its noteworthy train arrangement. Amusingly it was completely canned with Rajesh Khanna shot in a jeep in Darjeeling and Sharmila Tagore, imagined in a train, recorded in Bombay’s Nataraj studio.
The two would proceed to manufacture an effective association in different movies like Safar and Amar Prem. He likewise had a fine run with Mumtaz, completing eight movies with her, and in the deal assisting her with moving on from a B-grade film entertainer to the top group.
Warmly called Kaka, he enchanted and warbled his direction through a progression of movies like Do Raaste, Roti, Kati Patang, Bawarchi and Anand. His prosperity was even more surprising as it’s anything but when the business was all the while singing hosannas to the amazing Raj Kapoor, Dilip Kumar and Dev Anand. Yet, with a record 15 sequential superhits, there was no scrutinizing his fast and undisputed climb to superstardom.
In truth, he should owe no less than a little part of his prosperity to Kishore Kumar’s melodies, for example, “Simple sapno ki rani”, “Roop tera mastana” and “Karvate badalte rahe saari raat murmur.”. After the accomplishment of Haathi Mere Saathi, Salim-Javed who had written the film, offered to refashion Khanna’s picture as an Angry Young Man. He declined. Also, his misfortune was Amitabh Bachchan’s benefit.
Khanna’s decrease came as quickly as his ascent. Following a time of administering the movies, his position was usurped by Bachchan, who had acted with him in Anand. Rajesh Khanna was not getting any more youthful and the film fanatics of the 1980s and 1990s appeared to be prepared for a more unstable and insubordinate saint. After endeavors to sentiment the a lot more youthful Jayaprada and Sridevi in Awaaz and Masterji tumbled pitiably, he took on a semi-comic part in Maqsad. He attempted to remain in the chase with multi-starrers, yet except for Avtar, a teary adventure recollected more for its bhajan “Chalo bulava aaya hai,” achievement escaped him.
His own life, which incorporated a wrecked marriage with Dimple Kapadia, was checkered. Furthermore, in contrast to Bachchan, he couldn’t refashion himself to stay significant in Bollywood once he arrived at the middle age. It was just to some degree as of late that he did his first business, a TV promotion for a fan producer. With the famous tune “Yeh Shaam Mastani” behind the scenes and an old, practically weak Rajesh Khanna in the forefront, it’s anything but an endeavor to bring out wistfulness.
The promotion was welcomed with blended responses, with numerous fans liking to recall him as the man he was at the tallness of his powers, the charmer who effectively entertained and enticed the best entertainers on screen. Yet, it’s anything but an update that Rajesh Khanna, regardless of his tease with legislative issues and his stretch as a Congress Lok Sabha MP somewhere in the range of 1992 and 1996, consistently longed to be under the bend lights. That was his actual spot, regardless of whether he thought that it was hard to acknowledge that fame, similar to life itself, is something transient.
Apna Desh is a Hindi Movie released in the year 1972. It has a star cast of Rajesh Khanna, Mumtaz, Om Parkesh, Kanhaiya Lal, Madan Puri, Jagdeep, Manmohan Krishan, Rajan Haksar, Satyen Kappu, Jaya Prada, Manmouji, Makkamala, C S Dube. It’s Music Album was composed by R D Burman, Basu Chakraborty, Basu Manohari. The movie was directed by Jamboo. The songs were sung by singers such as Asha Bhosle, Kishore Kumar, Lata Mangeshkar, R D Burman. The lyrics of the songs from the Apna Desh were penned by artists such as Anand Bakshi. , To view the song lyrics and details visit the links below.
Apart from providing the Lyrics for the Apna Desh, we have also taken an effort to make the movie Apna Desh works with all the necessary details you might be interested to know, ranging from Cast, Director, Composer, Lyricist and a lot more.
How to see the lyrics of Apna Desh songs from the year 1972.
1. For any Movie, you can search in google the movie name with lyrics , or the song name with lyrics as keyword.
or preferably, You can visit websites like gaana.uk directly and search for the movie name or the song name in the searchbar.
Ex:- Type Apna Desh in search bar in this website, and click the Apna Desh link.
2. After visiting the Apna Desh link, if you were here for the movie details, the details will be present in the Apna Desh post.
3. IF you want to see the lyrics of the Individual songs, or watch the video song, or know the details of the Individual songs from the Apna Desh,
Click the link of the Song you want to know about, which will take you to the Song Post.
4. You can see Cast, Singers, Lyricist details from the individual songs, or watch Songs from youtube by clicking the embedded videos,.
If the video was not allowed to embed on other websites, We would have provided direct links to the websites., which you can click and watch it directly from youtube.
5.For the lyrics for the songs, If we could find them, we would have added them for each songs. You can just view them below the youtube emmbed or direct links for the youtube song.
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