|Cast:||Rajesh Khanna, Sharmila Tagore, Vinod Mehra, Sujit Kumar, Om Parkesh, Bindu, Farida Jalal, Satyen Kappu, Manmohan, Moolchand, Asit Sen, Raju Shreshta, Madan Puri, Naaz, Rakesh Pandey, Birbal|
|Singers:||Kishore Kumar, Lata Mangeshkar, S D Burman|
|Music Director(s):||R D Burman|
|Movie Director(s):||Shakti Samanta|
|Movie Producer(s):||Shakti Samanta|
How is it possible that Rajesh would Khanna have cried tears? The everlasting heartfelt that he was, a boss of the big screen, charming his fans with supreme sorcery – an irresistible grin with a delicate gesture and an appealing flicker; he left the crowd in a daze. He needed to “disdain” tears.
Anand in “Anand” needed to live in the wake of having hung tight for death, needing to greet it wholeheartedly even as his nearby ones appealed to God for his recuperation from a ghastly sickness. This Anand was extraordinary. He carried on with a difficult life, remaining quiet about his tears, and searching for comfort in the arms and voice of Pushpa (Sharmila Tagore), a town young lady offered to a house of ill-repute.
“Amar Prem” isn’t about Rajesh Khanna or Anand. It is about Pushpa, a job customized for Sharmila Tagore, getting back to work after a long break. This was a significant stage in the profession of the two entertainers, both thriving and delivering directing exhibitions. They had romanced so flawlessly in “Aradhana” where the main woman turns into an unwed mother. Here, Anand and Pushpa share a dispassionate relationship, their adoration grand and model.
Raaj Kumar was supposed to be the favored decision to assume the part of Anand, who adores his beverage. Dilip Kumar set a benchmark in “Devdas”, a demonstration unparalleled for all occasions. The depiction of a drunkard by Dilip Kumar was the main thrust of Bimal Roy’s work of art. Not that Rajesh Khanna had endeavored to imitate the unparalleled Dilip Saab yet he left an imprint with his controlled show, his voice delicate and never slurring. There was pride in Devdas accepting despairing. The person wanted to rebuff himself. However, Anand of “Amar Prem was extraordinary. He was not going to drink himself to death.
The quintessence of the film rotates around three characters – Anand, Pushpa and Nandu, a youngster who is tormented at home by a stage mother (Bindu). Nandu is showered with fondness by Pushpa and their relationship is so amazingly caught in the Lata Mangeshkar-sung “Bada Natkhat Hai Yeh Krishan Kanhaiya… ”
Music by Rahul Dev Burman intermittently helps you during the course to remember the film that this was probably the best work. Kishore Kumar loans his voice to some profound structures – “Kuch Toh Log Kahenge”, “Chingari Koi Bhadke”, “Yeh Kya Hua Kaise Hua”. And afterward “Raina Beeti Jaye” by Lata leaves you needing for additional. With such motivating parts included the film must be an extraordinary recognition for great film. You feel it when Anand, toward the finish of the melody, comments, “Tumhara naam Pushpa hai, Meera Hona Chahiye Tha.”
Amar Prem was redo of an exemplary Bengali film “Nishi Padma”, highlighting the incomparable Uttam Kumar. In needing to give his best Rajesh Khanna allegedly watched the first ordinarily. Tagore slipped into the job so normally and gave a heavenly exhibition as a mistress, a lady longing for adoration and a mother. Her blameless holding with Nandu, who develops into an attractive man (Vinod Mehra) and makes a wonderful re-visitation of her life, is a striking part of the story.
Deserted by her significant other, Pushpa discovers love away from home in Anand Babu, who is additionally looking for friendship and regard outside his home. He brings hot samosas for Pushpa and continues to remind her he “loathes tears.” Anand discovers trust in Pushpa, who hopes to fail to remember her past. In any case, destiny tosses her back into a coldblooded world where she gets used to driving an existence of embarrassment subsequent to vowing to hold Anand back from visiting her. Nandu likewise leaves with his folks and Pushpa, consistent with her person, takes the difficulties in her step. Time passes quickly.
An old Pushpa experiences a maturing Anand. He is broken by seeing Pushpa functioning as a homegrown assistance, continually harassed by the expert. Anand runs into Nandu, who has come to remain in the neighborhood with his better half and child. In an enthusiastic peak, Pushpa is brought home by ‘child’ Nandu even as a weepy Anand says goodbye. He doesn’t detest tears any longer.
Amar Prem is a Hindi Movie released in the year 1972. It has a star cast of Rajesh Khanna, Sharmila Tagore, Vinod Mehra, Sujit Kumar, Om Parkesh, Bindu, Farida Jalal, Satyen Kappu, Manmohan, Moolchand, Asit Sen, Raju Shreshta, Madan Puri, Naaz, Rakesh Pandey, Birbal. It’s Music Album was composed by R D Burman. The movie was directed by Shakti Samanta. The songs were sung by singers such as Kishore Kumar, Lata Mangeshkar, S D Burman. The lyrics of the songs from the Amar Prem were penned by artists such as Anand Bakshi. , To view the song lyrics and details visit the links below.
Apart from providing the Lyrics for the Amar Prem, we have also taken an effort to make the movie Amar Prem works with all the necessary details you might be interested to know, ranging from Cast, Director, Composer, Lyricist and a lot more.
How to see the lyrics of Amar Prem songs from the year 1972.
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