|Cast:||Dharmendra, Mala Sinha, Jeevan, Kum Kum, Mehmood, Dhoomal, Sujit Kumar, Nasir Husain, Zeb Rehman, Madan Puri, Sajjan, Lalita Pawar, Madhumati, Daisy Irani, Master Ratan|
|Singers:||Asha Bhosle, Kamal (3), Lata Mangeshkar, Manna Dey, Mohammed Rafi, Usha Mangeshkar|
|Movie Director(s):||Ramanand Sagar|
|Movie Producer(s):||Ramanand Sagar|
|Milati Hai Zindagi Men Mohabbat Kabhi Kabhi
by Lata Mangeshkar
I spent piece of last week perusing individual blogger Todd Stadtman’s book, Funky Bollywood: The Wild World of 1970s Indian Action Cinema (more on that, alongside a connection to my survey of it, toward the finish of this post). Todd’s book talks about, in tender detail, all the famous activity films—spy spine chillers included—of the 70s. In an attack of excitement, welcomed on by Todd’s book, I told my significant other, “I need to see Gunmaster G-9”. To which he answered, “I didn’t that way. What I truly preferred was Aankhen. That was enjoyable.”
Dharmendra in Aankhen
I needed to concur about Aankhen, on the grounds that this was the main Hindi covert agent film I at any point watched—presumably when I was around 11 years of age. I was so completely dumbfounded by it that it turned into the benchmark for Hindi spine chiller films all things considered. (Obviously, with far sleeker movies being made in the new past, Aankhen takes somewhat of a beating, however it’s anything but a top choice of mine, regardless of the number of imperfections and absolutely silly stuff I spot during rewatches).
As the opening voiceover-transforming into-a-tune goes, Us mulk ki sarhad ko koi chhoo nahin sakta, jis mulk ki sarhad ki nigehbaan hon aankhen (‘Nobody can contact the boondocks of the land, the outskirts of which are looked after by eyes’— the eyes in this sense suggesting sharp, attentive, devoted eyes).
The eyes being referred to, we find in the main scene, are those of individuals like Major Sahib (Nasir Hussain), who was a significant in the Indian National Army and had worked with Netaji himself; Major Sahib’s child Sunil (Dharmendra); and their associates. These men, while not piece of the public authority, are energetic nationalists and have the help of the public authority.
A gathering of loyalists goes to a gathering
In the gathering which starts the story, a rookie—Akram—communicates wariness (for what reason should regular folks be taking on the public authority’s conflict with foes of the state, he asks), however is quieted by an exaggerated discourse from Sunil.
Afterward, it arises that Akram’s senior sibling Salim has been working for the association for some time and is correct now on a significant mission: he’s on board a boat, stuffed to its gills with weapons and ammunition and ‘foe specialists’ set out toward India. Salim must keep an eye [those aankhen!] on the foe, and to put a distinctive blemish on their transfers, so when they dock in India, Indian traditions/insight/anything that can seize them.
While that is going on, the film continues forward to the adoration life of its legend, Sunil. Sunil’s sister (Kumkum) and her little child have been remaining with Sunil and Major Sahib, since her significant other is away in England on work.
Sister [in the standard eavesdropper style of Hindi film sisters] needs to find out about a Japanese young lady who had once been enamored with Sunil. Sunil, cornered, is compelled to tell all…
His sister hassles Sunil to uncover all
… and in this way arises the story of Meenakshi Mehta (Mala Sinha), a half-Japanese, half-Indian young lady who’d been stunned with Sunil when he went to Japan a couple of years sooner to learn judo. Meenakshi saw him, experienced passionate feelings for, and started following him until she’d took in all there was to think about him [a charming change, this, to discover the man at the less than desirable finish of the stalking].
Sunil ends up being gazed
Meenakshi followed Sunil, in any event, going to the degree of joining a visit bunch for which he’d joined. In the wake of bothering him a piece [and, stalkerish Hindi film saint style] singing a tune, Meenakshi had the option to initiate a relationship with Sunil. She disclosed to him that her dad had been in the INA as well, and that he had prepared her to help him in secret activities when she was a young lady.
Meenakshi presents herself…
The entirety of Meenakshi’s admissions of affection and her overall attractiveness weren’t sufficient to get Sunil to concur that he adored her. This is too risky a day to day existence, said Sunil. He could get killed any second, and afterward shouldn’t something be said about her? She would be abandoned with a messed up heart. Which, obviously, had the contrary impact: why, said Meenakshi, would it be a good idea for him to be so stressed over the state of her heart would it be a good idea for him to cop it? Unquestionably he should feel for her.
Sunil, in any case, would not be convinced—despite the fact that he clearly had a weakness for Meenakshi—and they wound up heading out in different directions, from a heartbroken Meenakshi saying that their ways would surely cross once more. Predetermination [and your normal Hindi film script writer] can’t be so coldblooded as to forestall that.
… also, attempts to prevail upon him, to no end.
Back to the present, and to Salim on that thug loaded boat. The thugs, driven by the malevolent Captain (not the boat’s bonafide skipper, who is ignorant of the skullduggery on board his vessel, yet Madan Puri), have started suspecting Salim [I am not amazed, since Salim doesn’t seem, by all accounts, to be an exceptionally skilled mystery agent]. Commander presently contacts the Indian head boss of this association, Doctor X (Jeevan, wearing a terrible hairpiece, a monocle, and a uniform).
Specialist—who is by all accounts in control—gives guidelines for the transfer to be tied buoys and casted off. Specialist will send for it—and for Captain—to be gotten.
This is done, yet while the transfer is being pitched over the edge, a watching Salim is thus spotted and shot. He figures out how to make it to his room adequately long to call Major Sahib [who, from the bank of glimmering lights that sparkle rainbow-like on the control center, is clearly truly well-connected].
Significant Sahib on the remote
Salim continues to pant and burn through a ton of time doing the “Welcome, Sher-e-Punjab?” stuff, so he cops it prior to having the option to get across a message that is any utilization.
A few individuals from the boat’s team, notwithstanding, drop by all of a sudden and can advise Major Sahib—at the opposite stopping point—that this man is dead. Significant Sahib [and Nasir Hussain gets an opportunity to do one of his trademark “Gracious dear God! What a calamity!” acts] understands that he currently should get to the foundation of the matter—by alluding to a significantly sooner message from Salim. Salim had educated him that the arms had started in Beirut, where a posse drove by a thug called Saeed (Sajjan) works.
Salim is killed
While Major Sahib gets breaking on this, Captain is gotten by his Indian partners, Doctor and his posse. For some incredible explanation [considering the standard Hindi film’s abhorrence for showing even a dash of anything drawing nearer ‘saving grace’ in a villain], Doctor really is a specialist, who runs a magnanimous emergency clinic. Chief—again for some incredible explanation—is brought here on a cot, face wrapped up totally [did Ramanand Sagar remove a leaf from The Lady Vanishes?], ‘masked’ as a patient.
Skipper is liberated of his swathes
While Doctor’s goggle-peered toward cronies look on…
No oil painting, this
… and Doctor’s right-hand lady, Madam (Lalita Pawar, dressed as a medical caretaker in this scene) makes a difference…
Madam makes a difference
Chief is soothed of his wraps. Specialist then, at that point takes him on a directed visit through his sanctuary, acquainting him with Madam, Lilly (Daisy Irani, full grown and wearing what looks a pajama suit), and Akram (Salim’s treacherous more youthful sibling, who has been baited into Doctor’s posse by cash and the female wiles of Lilly).
Specialist’s hench’people’: Madam, Lilly, and Akram
Skipper is additionally shown the ‘assembling’ segment, where everything from bombs to firearms are collected. Additionally he’s taken to the post, made up to resemble a sadhu’s isolation, from where two phony sadhus watch out for the encompassing open country, including the close by air terminal and harbor. Commander is dazzled.
A directed visit through the offices
From the baddies, back to the heroes. Significant Sahib, to take care of business, trains Sunil to go to Beirut. In Beirut, they as of now have the best neighborhood spy—a man named Nadeem (Sujit Kumar) working for them. What’s more, to help Sunil in his work, there’s additionally a gathering of spies from Singapore, who’ve gone to Beirut camouflaged as a moving company. Significant Sahib gives Sunil a photograph of the young lady who’s driving the moving company. No, no prizes for think about what it’s identity is.
The spy Sunil is to meet in Beirut
In Beirut, Meenakshi and her moving company—comprising of Mehmood, Dhumal, Madhumati and another artist (whom I don’t perceive)— have been joining dance exhibitions with taking photographs (utilizing a camera incorporated into an amplifier) of Saeed and his group.
After a show, Meenakshi gets a message from Major Sahib—two pieces of microfilm glued underneath stamps on an air mail envelope. It illuminates her that Major Sahib is sending a specialist to research matters in Beirut. Furthermore, there’s a photograph of the specialist, which obviously sets Meenakshi all excited.
Meenakshi gets news
At Beirut, Sunil is gotten by Nadeem, who takes him to a lodging. Nadeem and Sunil have bordering rooms, and Nadeem is all amiability—he even welcomes Sunil to a gathering he’s facilitating that evening.
Sunil reveals to Nadeem he’d prefer to spend the remainder of the day touring, so Nadeem takes himself off. Furthermore, Sunil, careful man that he is, pulls out a bug-recognizing gadget and ranges the room with it, just to discover not one, but rather two bugs in the room. One is covered up inside a stuffed poodle and the other’s in a small scale container of alcohol [Lebanese lodgings do have odd décor].
A poodle yields a bug
Fortunately, Sunil has the sense to understand that this most likely methods Nadeem is looking for trouble. At the point when he goes out soon after, subsequently, he’s particularly cautious—and figures out how to give the slip to the hooligan (Ram Tipnis, the cosmetics man for Aankhen and innumerable other hit movies of the 60s) who’s been deputed to follow him.
Smash Tipnis plays one of Saeed’s hooligans
Sunil winds up at his ideal objective: Meenakshi and Co’s safe-house, which is veiled as a photograph studio. Meenakshi brings him exceptional on the entirety of that has been going on (counting the way that Nadeem, a woman’s man, is current
Ankhen is a Hindi Movie released in the year 1968. It has a star cast of Dharmendra, Mala Sinha, Jeevan, Kum Kum, Mehmood, Dhoomal, Sujit Kumar, Nasir Husain, Zeb Rehman, Madan Puri, Sajjan, Lalita Pawar, Madhumati, Daisy Irani, Master Ratan. It’s Music Album was composed by Ravi. The movie was directed by Ramanand Sagar. The songs were sung by singers such as Asha Bhosle, Kamal (3), Lata Mangeshkar, Manna Dey, Mohammed Rafi, Usha Mangeshkar. The lyrics of the songs from the Ankhen were penned by artists such as Sahir Ludhianvi. , To view the song lyrics and details visit the links below.
Apart from providing the Lyrics for the Ankhen, we have also taken an effort to make the movie Ankhen works with all the necessary details you might be interested to know, ranging from Cast, Director, Composer, Lyricist and a lot more.
How to see the lyrics of Ankhen songs from the year 1968.
1. For any Movie, you can search in google the movie name with lyrics , or the song name with lyrics as keyword.
or preferably, You can visit websites like gaana.uk directly and search for the movie name or the song name in the searchbar.
Ex:- Type Ankhen in search bar in this website, and click the Ankhen link.
2. After visiting the Ankhen link, if you were here for the movie details, the details will be present in the Ankhen post.
3. IF you want to see the lyrics of the Individual songs, or watch the video song, or know the details of the Individual songs from the Ankhen,
Click the link of the Song you want to know about, which will take you to the Song Post.
4. You can see Cast, Singers, Lyricist details from the individual songs, or watch Songs from youtube by clicking the embedded videos,.
If the video was not allowed to embed on other websites, We would have provided direct links to the websites., which you can click and watch it directly from youtube.
5.For the lyrics for the songs, If we could find them, we would have added them for each songs. You can just view them below the youtube emmbed or direct links for the youtube song.
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