|Cast:||Raj Kapoor, Nargis Dutt, Prithviraj Kapoor, K N Singh, Cuckoo, B M Vyas|
|Singers:||Lata Mangeshkar, Manna Dey, Mohammed Rafi, Mukesh, Shamshad Begum|
|Lyricists:||Hasrat Jaipuri, Shailendra|
|Music Director(s):||Shankarsinh Raghuwanshi, Jaikishan Dayabhai Pankal|
|Movie Director(s):||Raj Kapoor|
India was uniquely in its fourth year of Independence when Raj Kapoor chose to offer his fans “Awaara”. It may not qualify as an epic yet it’s anything but a milestone film for its story and the treatment of the subject. It drove home the quintessence of a significant content’s commitment towards adding quality to the film. It’s anything but a period while engaging music was viewed as a fundamental piece of film making. With a sprinkling of impeccable entertainers, this film was a slick bundle that stood apart for it’s anything but a social message that remains constant even today. The wide hole among neediness and lavishness is portrayed in a telling way.
The story spins around (Raj Kapoor), who grieves in a ghetto with his mom subsequent to being irritated from his dad (Prithviraj Kapoor), a rich appointed authority, who removes his significant other from the house on doubt of unfaithfulness.
A youthful Raj (played by Shashi Kapoor) is tossed out of school (for having taken up the work of boot clean) and is isolated from companion Rita. Compelled to take and cheat, Raj develops into a trivial crook, on account of Jagga (K. N. Singh), a dacoit who has a score to settle with the adjudicator.
Destiny carries Raj into contact with Rita (Nargis) and his dad. Conditions lead Raj to kill Jagga and the case winds up in the court of his dad where Rita guards him. Raj loses his mom (Leela Chitnis), rediscovers his dad and the story finishes up with a three-year sentence for him.
Battle for authenticity
The hero of the film is secured a battle to win authenticity. He detonates when the general public deals with him like a drifter.
In an important scene, he subjects Rita to mocking and uses actual power in a fury that catches Raj’s person suitably. That he has endured is excessively self-evident yet nothing would keep him from rescuing his lost pride.
The story doesn’t set the screen ablaze. The portrayal is straightforward yet rigid. Each character has a huge job to perform however Raj and Rita give a corrective touch to jobs that required acting abilities of a higher class.
Nargis wears a one-piece bathing suit, considered very trying just about sixty years prior.
Film was advancing during the 1940s and this film, made in 1951, set the precedent for some heartfelt stories in occasions where Raj Kapoor, Dilip Kumar and Dev Anand came to rule the entertainment world with their praiseworthy work. Raj Kapoor restricted with Khwaja Ahmad Abbas to deliver and coordinate this film. It’s anything but a huge work from the creation place of RK Films yet way underneath the absolute best in the Indian film’s set of experiences.
Raj Kapoor was just 27 when he made this film. What’s more, 22-year-old Nargis is beguiling in a job that worked out positively for her picture.
Music has consistently stayed a vital piece of Raj Kapoor’s movies and here the pair of Shankar-Jaikishen gives finefare toll. The underlying part is set apart by two famously forgettable melodies by Mohammad Rafi with Prem Nath highlighting in one of them; it’s anything but a most inconsequential screen presence for Prem Nath. The screen illuminates with “Ek Do Teen Aaja Mausam Hai Rangeen” by Shamshad Begum and afterward Lata Mangeshkar gets together with “Poke Se Balam Ghar Aaye”.
Music conveys the force forward in this lethargic paced film.
“Dum Bhar Jo Udhar Munh Phere” is effectively perhaps the most incredibly shot tunes ever. A fantasy grouping (“Ghar Aaya Mera Pardesi”) is trailed by “Aa Jao Tadapte Hain Armaan”, “Ek Bewafa Se Pyaar Kiya”and “Murmur Tujhse Mohabbat Karke Sanam”… Music is the thing that you recall most from “Awaara”; and obviously, the excellent Nargis.
She conveys the film on her shoulders despite the fact that Raj Kapoor is the focal person.
Awara is a Hindi Movie released in the year 1951. It has a star cast of Raj Kapoor, Nargis Dutt, Prithviraj Kapoor, K N Singh, Cuckoo, B M Vyas. It’s Music Album was composed by Shankarsinh Raghuwanshi, Jaikishan Dayabhai Pankal. The movie was directed by Raj Kapoor. The songs were sung by singers such as Lata Mangeshkar, Manna Dey, Mohammed Rafi, Mukesh, Shamshad Begum. The lyrics of the songs from the Awara were penned by artists such as Hasrat Jaipuri, Shailendra. , To view the song lyrics and details visit the links below.
Apart from providing the Lyrics for the Awara, we have also taken an effort to make the movie Awara works with all the necessary details you might be interested to know, ranging from Cast, Director, Composer, Lyricist and a lot more.
How to see the lyrics of Awara songs from the year 1951.
1. For any Movie, you can search in google the movie name with lyrics , or the song name with lyrics as keyword.
or preferably, You can visit websites like gaana.uk directly and search for the movie name or the song name in the searchbar.
Ex:- Type Awara in search bar in this website, and click the Awara link.
2. After visiting the Awara link, if you were here for the movie details, the details will be present in the Awara post.
3. IF you want to see the lyrics of the Individual songs, or watch the video song, or know the details of the Individual songs from the Awara,
Click the link of the Song you want to know about, which will take you to the Song Post.
4. You can see Cast, Singers, Lyricist details from the individual songs, or watch Songs from youtube by clicking the embedded videos,.
If the video was not allowed to embed on other websites, We would have provided direct links to the websites., which you can click and watch it directly from youtube.
5.For the lyrics for the songs, If we could find them, we would have added them for each songs. You can just view them below the youtube emmbed or direct links for the youtube song.
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