|Cast:||Surendra, Noor Jahan, Suraiya, Zahur Raja, Anwari, Murad, Leela Mishra, Amir Bano, Bhudo Advani|
|Singers:||Mohammed Rafi, Noorjehan, Shamshad Begum, Suraiya, Surendra|
|Music Director(s):||Naushad Ali|
|Movie Director(s):||Mehboob Khan|
Suraiya was the last distinguished vocalist entertainer to assume that double part in film before it was seized by the playback artists in the last part of the 1940s. Beginning as a youngster artiste, Suraiya’s profession arrived at its top by 1950. Her sweet soul blending tunes keep on frequenting music darlings considerably the greater part a century after the fact. In her prime, she turned a legend and the most generously compensated artiste of her time. She had the exceptional honor to co-star with K L Saigal, the incredible vocalist and genius of those days in three progressive movies viz. “Tadbir”, “Omar Khayam” and “Parwana”. It is said that Suraiya got a break as a courageous woman for the film “Tadbir” (1945) at the proposal of K L Saigal who was dazzled by her voice during a practice..
Brought into the world at Lahore on fifteenth June 1929, Suraiya Jamal Sheik came to Mumbai as a youngster to live with her uncle Zahoor of Bhati door bunch who was working there with Kardar Films. She started her profession as a youngster artiste partaking in the kids’ program of All India Radio. Her first movie job was in “Taj Mahal” (1941) as a youngster entertainer however it was Naushad, the forthcoming music head of those days, who found her singing ability and made her sing the consistently well known song ‘Panchhi Jaa, peechhe raha hai bachpan mera’ in the film “Sharda”, as playback for Mehtab, the renowned star of those days. She was then just 12 and needed to remain on a stool to arrive at the mike. When she was 15, she had made her imprint with her exhibition in the Bombay Talkies’ “Hamari Baat” in 1943.
During the mid-forties the two faces which overwhelmed the film world with their music were Suraiya and Noor Jehan. Khurshid who was the main singing star prior lost her situation to them. Indeed, Suraiya positioned after Noor Jehan and the two of them showed up together in that observed Mehboob’s melodic Anmol Ghadi. Despite the fact that dominated by Noor Jehan, it goes surprisingly that Suraiya, even in a supporting job, had the option to stand her ground and make her quality felt with her evergreen tunes like “Socha tha kya, kya ho gaya” and “Man leta hai angrahi”.
Suraiya was the solitary singing star who after Partition chose to remain back in India while Noor Jehan and Khushid left for Pakistan. That is the means by which her ascent to acclaim between 1947-50 was without a doubt brilliant. In spite of the fact that playback framework had entered the scene, Suraiya with her particular individual style, her sweet prepared voice and direct straightforward word usage prevailed with regards to enamoring the audience members and her prevalence knew no limits.
Her greatest film industry hits with hardly a pause in between were “Pyar ki Jeet” (1948), “Badi Behan” (1949) and “Dillagi” (1949). The music for the initial two was scored by Husanlal Bhagatram and for “Dillagi”, it was Naushad, her first tutor. We can in any case hear old music fans murmuring those everlasting songs from these movies like “Goodness entryway janewale”, “Wo pas rahe ya entryway rahein”, “Tere nainon ne chori kiya”, and “Tu mera chand primary teri chandani”. It was this full go-around progress during 1948-49 that dispatched Suraiya to the top stepping stool in the film world. Expertly, there was poise and beauty in her presentation and she sang with her entire being advanced with the profundity of feeling and warmth. She had no test from any playback vocalist of her time.
Suraiya kept acting and singing during the 1950s however the majority of the movies didn’t progress nicely. She made a fleeting rebound in “Mirza Ghalib” created by Sohrab Modi in 1954. Its dazzling achievement carried new shrubs to Suraiya particularly since she had packed away this job when other top wonderful stars of those days like Madhubala and Nargis couldn’t make it. It was not just her brilliant acting in the job of an expert singing young lady as Ghalib’s darling yet her vivacious and charming delivering of the writer’s renowned stanzas that won her huge popularity and furthermore acclaim from no less a character than Pt. Jawaharlal Nehru.
It was the primary element film to be granted the President’s award and the then Prime Minister had graced the capacity with his quality and is said to have disclosed to Suraiya that ‘Tumne Mirza Ghalib ki rooh ko zinda kar diya’ (you have rejuvenated Mirza Ghalib). Most likely, Suraiya showed her dominance over wedding music to verse and deified Ghalib’s ghazals viz. “Ye na thi hamari kismet”, “Aah ko chahiye” and “Dil-e-nadan tujhe hua kya hai”. At the point when her later movies didn’t make any imprint Suraiya chose to stop while as yet getting a charge out of fame with the watchers.
She sang her final appearance “Ye kaisi ajab dastan ho gayi hai” in her last film “Rustam Sohrab” (1963) where she co-featured with the veteran Prithviraj Kapoor.
The film sank in the cinematic world yet this melody enamored her fans and it figures among her untouched most noteworthy hits. At the point when still thriving she completely resigned from the film world. Dissimilar to Noor Jehan who turned a play-back vocalist in Pakistan around a similar time, Suraiya quit any pretense of singing inside and out overlooking many enticing offers. To such an extent that she declined to sing even at private capacities.
Romancing Dev Anand
The most striking and much-advertised scene of Suraiya’s life was her sentiment with the impending youthful entertainer Dev Anand in the mid 1950s. It was then ‘all the rage’, the very stuff legends are made of. She was Dev Anand’s courageous woman in seven movies which had moderate achievement . During the shooting of a film, a boat inverted and Dev Anand saved Suraiya from suffocating. This episode was the start of their sentiment. Suraiya began to look all starry eyed at him and the two of them intended to get hitched however Suraiya’s grandma went against the relationship and convinced her to turn down Dev’s proposition to be engaged. She decided to stay unmarried for the duration of her life and kicked the bucket a desolate lady on 31st January 2004.
Suraiya’s vocation crossed 20 years and she assumed the main part with pretty much every well known star of her time and furthermore sang with the main playback artists like Mohammad Rafi, Talat Mehmood and Mukesh. This June, she would have turned 88. The extraordinary singing legend’s voice and her immense collection of melodies will keep on enchanting large number of her fans all over the place.
Anmol Ghadi is a Hindi Movie released in the year 1946. It has a star cast of Surendra, Noor Jahan, Suraiya, Zahur Raja, Anwari, Murad, Leela Mishra, Amir Bano, Bhudo Advani. It’s Music Album was composed by Naushad Ali. The movie was directed by Mehboob Khan. The songs were sung by singers such as Mohammed Rafi, Noorjehan, Shamshad Begum, Suraiya, Surendra. The lyrics of the songs from the Anmol Ghadi were penned by artists such as Tanveer Zaidi. , To view the song lyrics and details visit the links below.
Apart from providing the Lyrics for the Anmol Ghadi, we have also taken an effort to make the movie Anmol Ghadi works with all the necessary details you might be interested to know, ranging from Cast, Director, Composer, Lyricist and a lot more.
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